Interesting Facts About Space by Emily Austin – a Book Review

Honestly, my productivity lately has been just pure trash. This time, however, I think I got myself hung up on this particular book review. I’d start it, delete, and then close my page. I couldn’t quite figure out how to put into words what I wanted to say. Truthfully, this book’s brilliance is something a reader has to experience for themselves in order to understand it. It’s a character study of one of the most perfectly imperfect people, and the perfection is in the finest little details.

Synopsis

Enid, an eccentric 26-year old woman with a passion for true crime and a plethora of knowledge about space, mostly spends her time either working or going through a series of romantic flings with women she’s met online. Her life is complicated by her odd relationship with her equally eccentric mother, her even stranger relationship with her recently introduced half sisters, and her crippling fear of bald men, origin unknown. Add to her awkwardness of personality the fact that she’s partially deaf and often misses when people speak to her, she feels very much like an outsider detested by the mass majority of people considered “normal.” Things begin to spiral out of control when Enid is confronted by the jilted spouse of one of her lovers, an event that draws her into the kind of romantic entanglement she had previously avoided. Oh, and there’s the fact that she is certain someone is following her, and it’s probably the bald guy who lives in her apartment building and keeps knocking on her door at odd hours. With all this adding up, things are about to get more interesting than all those facts she knows about space.

Review

As I said before, this book’s brilliance is something you have to experience. It is this perfect culmination of all these little details that make Enid so unique and special. And it’s not just the details of her character and personality but those of her relationships. Her relationship with her mother is something truly beautiful. I positively adore her mother. While they don’t really communicate in a traditional way, as their communications often consists of Enid calling to tell her mother something interesting about space, the way her mother clings to her every word and accepts and adores Enid is such a touching aspect of this book. She intuitively knows that Enid is feeling vulnerable and reciprocates. Instead of saying, “I’m here for you,” she says “that’s so interesting. Tell me more about that.” The result is the same. Enid knows she’s being heard. She knows there’s at least one person who understands her and is willing to listen even if she doesn’t quite know what she needs to say.

Conversely, Enid can gauge her mother’s mental state based on her lipstick usage. This is such an authentic portrait of life. For the people we know and love the most, it’s often the most mundane of things that give us insight into their psyche. It comes natural to search for these small quirks to make sure they are ok. When Enid tells her mother, “you aren’t wearing lipstick today,” she’s really saying, I see you and I’m here for you too.” It’s a language someone on the outside couldn’t translate. Austin’s writing has more emotional intelligence than any person I’ve ever known. Something else authentic about this book? People make stupid choices for so many different reasons, and sometimes the reason is love.

This is a very quick read but it contains more depth and meaning than most books twice its length. There’s nothing superfluous and there’s no pretentious fluff, but it’s still immensely beautiful. And that’s all a result of Austin’s ability to add nuance to a story that’s very simple on the surface. Add to all this the subtle humor and charm, and it’s a wonderful experience. Seeing some of the negative reviews on goodreads I can tell some readers simply don’t get it. That’s a real shame, because this is one you need to get.

Rating: 5 out of 5.

Published January 30, 2024 by Atria Books. ISBN 9781668014233. 320 pages. Hardcover.

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Night Witch in Berlin by Joanna Brady – a Book Review

I was first introduced to Joanna Brady, a Key West-based author of historical fiction, several years ago when my book club won copies of her first novel, The Woman at the Light. Though I was a total noob of a reviewer at the time, you can find my thoughts here in the time capsule that was my fourth ever review for this blog. Long story short, it’s a beautiful and unique work of historical fiction that follows a female lighthouse keeper in Key West in the mid-1800’s. It was universally liked by all our book club members, and I highly recommend it.

Here’s what I love about Brady. Her books always have strong women whose real presence in history has been widely overlooked, and the topics are always truly unique, not to mention very well-researched. Night Witch in Berlin follows a decorated pilot who flew for the Soviet Union during WWII under Stalin’s regime. Stalin did basically nothing right, ok? This was his one good decision, and it wasn’t even implemented well. These women were given rickety old bi-planes that were open to the elements, and they flew them at night in frigid Russian winter weather. They would strategically cut their engines in order to make silent surprise attacks on Nazi targets. These were insanely dangerous missions, and these brave women were the first allowed into combat during the war. Lesson learned? You can give a woman the crappiest resources possible and she’ll still get the damn job done. You’re welcome, asshats. They were so feared by the Germans, it earned them the moniker, Nachthexen, or Night Witch. If this is utterly intriguing to you, as it should be, you will find a great article about them on History.com at this link.

Women of the Soviet 588th Night Bomber Regiment during WWII.

Look, I know many readers and lovers of historical fiction have maybe grown a bit weary of WWII. There are some amazing titles, highly important books that celebrate the many heroes, both military and civilian, and that memorialize the dead of the heinous death camps. There are just a lot of them. Have we all read historical fiction about WWII? Undoubtedly. Have we all read WWII fiction about badass women who dropped 23,000 tons of flaming karma on Nazi scum? No… no, we have not. But now we can thanks to Joanna Brady. Plus, this is only sorta-kinda a WWII novel.

The book discusses the war to some degree, but it predominantly takes place following the war with some flashbacks thrown in to provide foundation for the Cold War state of the world that follows on the heels of WWII. The Night Witches have been retired and sent back to lives of feminine unimportance and mediocrity, no longer able to act as pilots. In the novel, we follow a former decorated Night Witch named Kira Voranova as she navigates her new existence in Cold War Berlin, a city torn in two following the bitter conflict. As tensions have arisen between the former allies of the Soviet Union and the United States and Great Britain, Berlin remains a very dangerous place. Kira begins to see the cruelties inflicted upon German women at the hands of Russian soldiers, and she has experiences that bring all her former loyalties to question. Now forced to spy on former allies, she is faced with an important question. Will she remain loyal to the only country she’s ever known and allow herself to become a pawn of Stalin’s cruelty and despotism, or will she take the opportunity to fly away from it all to a future that is made of her own choices? The latter choice, however, would mean a date with the firing squad.

This novel very deftly tackles the complexities of the sociopolitical structure of the world following WWII. The war had opened a chasm that wouldn’t be filled for many years. Someone wins the war, but it’s never the people, especially the women. Readers get a birds-eye view of the events leading up to the building of the Berlin Wall, but most importantly there’s a coming-of-age element to Kira’s story. In flashbacks, we are able to watch the idealistic little girl who dreams of a life in the clouds, and we follow her as the harsh realities of the world slowly etch away her optimism. This book is a beautiful celebration of all those who managed to retain some form of hope in a hopeless world. It’s also a testament to the human ability of looking past forced allegiances to find common ground and empathy for those we’re led to believe are our enemies, going so far as to see the injustices inflicted by our allies on undeserving parties.

Long story short, this is a wonderful and valuable read that will teach you something new. If you’d like to get your hands on this one or her previous novel, visit Joanna Brady’s website at this link to see where you can get copies. It’s worth it.

Rating: 5 out of 5.

Published May 20, 2024 by Joanna Brady. ISBN 9798707195891. 395 pages. Paperback.

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Nosy Neighbors by Freya Sampson – a Book Review

Every now and then you come across a book that’s exactly what you needed at exactly the right time. A palate cleanser, of sorts that pulls you out of the funk of reading some deep and depressing stuff. Nosy Neighbors is one such book. It’s refreshing, heartfelt, and makes you believe that at least some sector of humanity is worth saving.

Synopsis

Despite being plagued by bad memories of the place, Kat Bennett is drawn back to her hometown. When she answers an ad for an open room at the crumbling and historic Shelley House, all she remembers about the place is the story of the creepy old witch that lives in the house and preys on children. What she finds is an eclectic mix of tenants, most notably of which is Shelley House’s longest resident, seventy-seven-year-old Dorothy Darling (Ms. Darling, to you). Dorothy keeps to her flat watching any and all comings and goings and ensuring everyone abides by rules. When Kat’s landlord, Joseph, is attacked in his apartment, it just might be Dorothy and her notebook of offensive happenings that can crack the case. While Dorothy finds Joseph to be completely odious, she’s willing to aid in the investigation lest the culprit strike again. Is the attack related to Joseph’s campaign to stop the mass-eviction of Shelley House’s residents in preparation for its imminent demolition or is something else sinister at play? As unlikely a duo as they may be, Kat and Dorothy may be the only ones who can solve the mystery, and hopefully with the help of the other residents, save Shelley House in the process.

Review

The last thing I want to do to a talented author is compare them to someone else, but I can’t help but feel a very Fredrik Backman vibe with this novel. Of course, Sampson lends her own special voice and special touch to this book, and it’s a unique and lovely story. While the “cranky old person meets jaded millennial” theme is far from new, Sampson managed to make it feel fresh. Each and every character is valuable to this story, playing an important part in not just building a narrative but in building the portrait of a beautiful and diverse community. So often we all exist in our own separate spheres, never forming connections with the people who orbit our spheres. It shouldn’t take brutal attacks to bring us all together, but sometimes that’s what happens. Opening your heart to someone else’s pain can act as a balm for our own festering wounds and scars, and as readers it can be so beautiful to watch characters we’ve grown to love so much begin to heal one another and heal themselves.

I’m not going to go into anything in regard to plot, because there’s really a lot going on here. It’s a twisty mystery with a wonderful and refreshing dose of humor and heart. Thematically, it does drop into some really dark places surrounding grief and abuse. The audiobook narration is positively divine as performed by Sarah Lambie who managed to accentuate the personalities of both Dorothy and Kat just perfectly. And with Sampson’s expert storytelling, we are gifted a highly satisfying conclusion that’s at once exciting and touching. It might just bring on some tears if you have the capacity for feeling human emotion. I highly recommend.

P.S. – There’s a charming dog. Need I say more?

Rating: 4.5 out of 5.

Published April 2, 2024 by Penguin Audio. ISBN 9780593550526. Runtime 11 hrs, 9 mins. Narrated by Sarah Lambie.

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The Banned Bookshop of Maggie Banks by Shauna Robinson- a Book Review

This title is an entry for my reading challenge for the year. It takes the first spot for the Alliterative Title pick.

Synopsis

Maggie Banks doesn’t really feel she has a purpose. There’s nothing she really wants to do, and her family is starting to think this life of jumping around from job to job makes up the core of her existence. It’s this need for something to pay her bills that brings her to Bell River for a temporary job managing her friend’s small-town bookstore while said friend is on maternity leave. There is one problem, however. The bookstore is already struggling, and Maggie can’t sell any books published in this century. You read that right. Per some weird town rule in place by the descendant of the town’s most famous resident, Edward Bell, the bookstore can’t sell anything published after ole’ Eddie was gracing the town with his presence. Seeing the need for more modern fare, Maggie decides to covertly defy the town’s stupid rules and bring in some romances and thrillers to shake things up a bit. Will she save the bookstore or drive in the last nail in the coffin with her risky maneuvers?

Review

I’ll be completely honest. I have some real issues with this book that are almost completely tied up in its main character. On the surface, this is a unique and intriguing premise. Weird town society pigeonholes business owners into only peddling one dead guy’s junk causing our plucky heroine to challenge the established authority and give the townspeople a voice? I like it. I just don’t really like the execution. First of all, Maggie is a total book snob. She’s a book snob who doesn’t even read, which is both unrealistic and so much worse than a well-read one.

I’m going to go out on a limb and say that publishing a book in which your main theme is that classic literature is boring is a bit risky. I am a bit torn on it, because I’ve wondered if it’s not a tongue-in-cheek critique of how literature snobs often snub their noses at genre fiction without giving readers the respect they deserve. If so, well played. The problem is that there are a lot of us who like a little bit of everything. My roots are in the classics, but I love a good mystery/thriller. I’m not a huge fan of romance, but that’s my own personal taste and I understand why some people like it. Some books challenge us and some provide us an escape. There’s nothing wrong with either avenue, and there’s nothing wrong with liking a mixture of both depending on our mood.

Robinson could have played this out and shown how Maggie develops an appreciation of ye old-timey boring crap, but she really doesn’t. Here’s where I’ll bring in Malcolm. I LOVED Malcolm. He’s nuanced, quirky, and awkwardly introverted in a way many of us can relate. He’s the opposite of Maggie. He likes and appreciates the classics and isn’t too enthused about schmaltzy romance novels, though he loves a good sci-fi. He’s the prime example of the awkward kid who stumbles upon their holy grail of a book that fills a void in an otherwise confusing existence. Now as a grown man he still treasures this one read that helped him become the person he is. So how does Robinson treat Malcolm? She has Maggie endlessly tease him, and there’s even an incredibly uncomfortable scene in which Maggie and the women in his family all gang up on him to ramp up the teasing. Malcolm starts to come around and develop a bit more of an appreciation for fiction outside his comfort zone, but Maggie remains the slightly pretentious anti-classics anti-hero we all know and don’t really love.

I struggle to see this book as the romance it’s supposed to be, because I feel there’s something toxic about Maggie and Malcolm’s relationship that will eventually cause them to implode. He’s her punching bag, and eventually he’ll get tired of being teased merely for being himself, quirks and all. I feel like we’re supposed to be rooting for Maggie, but I just think she’s a jerk.

While the book is decently well-written and well-paced, the plot is just kind of infuriating. I couldn’t believe so many of these small business owners in Bell River sold their livelihoods over to this meddlesome buffoon and allowed him to cripple their businesses. No owner of a bookstore would allow the kind of restrictions to what they can sell that were present in this book. It’s simply not a sustainable business model. Small independent book sellers already have enough trouble staying relevant in today’s digital world. In this case, it’s convenient to the plot by introducing the conflict that spurs Maggie to action, but it just seems utterly stupid when I sit back and really think it through. Don’t even get me started on the fact that Maggie so casually and easily gambled her best friend’s livelihood and the livelihood of her growing family without even clueing her in. Not ok, Maggie. Not ok.

Essentially, this is a promising premise that wound up falling flat for me. The good kind of gets overshadowed by the irritating and unlikeable main character. Sadly, this one is a 2 star for me.

Rating: 2 out of 5.

Published November 1, 2022 by OrangeSky Audio. ISBN 9781667074108. Runtime 9 hrs 18 mins. Narrated by Imani Jade Powers.

Posted in Chick Lit, General fiction, Romance, Uncategorized, Women's fiction | Tagged , , , , , | 5 Comments

WWW Wednesday – May 1, 2024

WWW Wednesday is a weekly meme hosted by Sam at Taking on a World of Words. In it, bloggers answer three questions:

  • What are you currently reading?
  • What have you just finished reading?
  • What will you read next?

What am I currently reading?

I’m currently reading two books. The first is a historical fiction by Joanna Brady whose first novel, The Woman at the Light, I greatly enjoyed. So far I’m really enjoying it, as it’s a very unique and refreshing work of historical fiction about a subject I had previously known very little about. It is Night Witch in Berlin which follows a Russian woman who served as one of the famed Night Witches, the female pilots sent by Stalin to bomb the Nazis in rickety old planes during freezing winter nights in WWII. The second is the audiobook, The Banned Bookshop of Maggie Banks. It’s a very light read about a young newcomer to a small town who attempts to save her friend’s bookstore from ruin by defying the dumb rules that contemporary fiction can’t be sold in the bookstore by covertly opening an illicit room in the back of the store to townsfolk. It’s a neat premise, and so far I’ve been enjoying it.

What have I just finished reading?

Believe it or not, I’m actually caught up with reviews. My last two reads were the audiobook version of Poor Things, the review of which you can find here. And also on audio, I finished The Day Shelley Woodhouse Woke Up, and you can find that review here.

What will I read next?

On deck I’m still a little tentative about my picks. I checked out several from the library so may change my mind about which to start next. But I plan to read Interesting Facts About Space by Emily Austin.

That does it for me. I’ve not a clue what I’ll be choosing on audiobook, but I should finish with Banned Bookshop of Maggie Banks in the next couple of days so I’ll be making that decision pretty soon.

What have you been reading? Feel free to leave me recommendations if there’s something you adored recently. Happy Reading!

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The Day Shelley Woodhouse Woke Up by Laura Pearson – a Book Review

I failed spectacularly at getting the reading done for the April book club selection for Read Between the Wines. Sorry, Robert, I swear I meant to read your pick. So it’s only fitting that I blazed through the May selection at record speed before even the end of April!!! Let’s just hope I remember all the discussion points I wanted to hit by the 28th of May!

Synopsis

Shelley Woodhouse wakes from a coma with injuries she knows were inflicted by her husband, David. However, her pleas to contact the police are ignored by hospital staff, and no one seems to want to give Shelley any information at all. Her only visitors are her long-time friend, Dee, and a mysterious hospital volunteer named Matt who adorably brings her kitkats. As we jump back and forth between the present and the memories that return to Shelley, her past, present, and future become more clear to both her and to us as readers.

Review

First of all, I just want to get the cons out of the way, because there’s a lot to actually like about this book. It is highly predictable, however. I was surprised by nothing. I knew who was who from the get-go and couldn’t believe it took Shelley so long to figure some things out. What I will say, however, is that this book isn’t really about the suspense or the mystery of it all. It’s about Shelley discovering the real her that transcends her past trauma. It’s about facing the hurt, shame, and regret and not bottling it inside. People who are looking for a cozy mystery will find something a bit deeper than that which delves into the cyclical nature of domestic violence and the mark it leaves on all who are affected by it. This will leave you a bit hopeful but also sad about the existence of this hidden world of secrets and pain.

Shelley is a likeable but frustrating character. Honestly, predictability is pretty well-suited for a story about domestic violence, because both an abuser and their victim are predictable characters. The cycle continues on and on and on until the abuser finally kills his victim or she (or he) wakes up and gets the hell out. The title is a not-so-thinly-veiled metaphor for escaping the cycle. A bit cliché, maybe, but not unwarranted.

I liked how Pearson utilized secondary characters. In cases of domestic violence, the support system surrounding someone recovering from abuse is so vital to their being able to comfortably pursue living a normal life. In the case of Shelley, it was very important she see that there are truly good men, like Matt and Liam, and that trust can be earned. These characters were well developed and well placed in her life. Her relationship with her mother is also vital here. Shelley has to come to terms with the ways her mother failed her while forging a connection of understanding and forgiveness. This may be the most powerful aspect of the novel.

There you have it. It’s not exciting or glitzy. It’s not comedic. Rather, it’s a deep human story about connecting with ones inner self and healing old scars. This book could really do some good if it reached the right woman, the one who’s been thinking of leaving but just can’t summon the strength. If even one woman is able to save herself from what she feels is a hopeless situation, this book becomes invaluable.

Rating: 4 out of 5.

Published April 6, 2024 by Boldwood Books. ISBN 9781785136405. Runtime 8 hrs 7 mins. Narrated by Julie Maisey.

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Poor Things by Alasdair Gray – a Book Review

Initial thought: What did I just read???

I think most people have at least heard of this novel at this point thanks to the film adaptation released in 2023 starring Emma Stone, Willem Defoe, and Mark Ruffalo. I haven’t yet seen it, but I will admit to having looked it up to see if it ended the same way. It absolutely does not end the same way. As a matter of fact, its drastic pivot at the finale causes it to have a very different tone and meaning. In case you are new to the party, this is a Frankenstein-inspired novel in which an eccentric doctor, Godwin Baxter, creates a young woman by transplanting the brain of her unborn child into the woman and reanimating her. The subsequent scenes of the novel follow her coming of age and her discovery of all that is pleasurable and horrifying about the world into which she was thrust. Like Frankenstein’s creature, she learns at an intensely rapid rate and possesses great intelligence. Unlike Frankenstein’s creature, she has a lot of sex.

I listened to this one, and I can safely say I don’t recommend that format. Firstly, there are illustrations. That should speak for itself. Secondly, there’s so much going on here with the format of the text, it makes things a bit confusing. We get the analyzation and historical notes by Gray, a fictionalized version of himself that the author uses to introduce the source materials. We also get a book written by Archibald McCandless which he presents as his autobiography before subsequently getting a response to this book from Bella who sheds serious doubts on the truths supposedly in the text. Then it becomes sort of a choose your own adventure book because you basically have to decide whose account you want to believe.

Whatever the truth to Bella’s origin, there are some intense truths in this. Bella’s coming of age, or her awakening, could be true whether she possesses the brain of an infant or the fully developed brain of a woman. In such a time, women were designed to be ignorant to the realities of the world to protect their “delicate sensibilities.” Over time, Bella discovers her passions for social justice, sex, and the creation of her own identity. How many women during the Victorian period were basically grown women with the minds of children having been stunted by society’s dictates? In that respect, this novel is amazingly profound.

There were some quite dull moments that had me zoning out from time to time, especially parts surrounding conversations about politics during the 19th century. These were, of course, important for Bella in crafting her identity, but for me they were a bit painful and I wished they’d be over. The most miserable portion was Alasdair Gray’s historical notes at the very end. I didn’t feel I needed most of them and, in some cases, couldn’t even recall if the people discussed had been present in the actual story. I assume I zoned out during their first introduction, so it was boring in both places.

As any and all narrators are utterly unreliable, I was constantly on my toes wondering what exactly was going on. Just when I thought I had it all figured out, Gray throws in one final line that turns everything upside down again. So if you like novels in which reader interpretation is required, this is the book for you. At times it does read like a Victorian era classic with some modern twists. I can’t say I necessarily enjoyed reading this, but I do believe it has a lot of meaning and lot of literary merit. The writing is brilliant, and Bella is an utterly fascinating character. Overall, I give this one 4 stars out of respect for the sheer uniqueness of this novel.

Rating: 4 out of 5.

First published January 1, 1992. This version published December 1, 2023 by Clipper Audiobooks. ISBN 9781004146277. Runtime 9 hrs 16 mins. Narrated by Russ Bain and Kathryn Drysdale.

Posted in Coming of Age, General fiction, Historical Fiction, Literary Fiction, Seriously Weird Shit, Uncategorized, Women's fiction | Tagged , , , , , | 3 Comments

The Djinn Waits a Hundred Years by Shubnum Khan – a Book Review

The world of publishing can be a fickle place. One minute vampires are trending to be replaced by witches or werewolves the next cycle. Things usually cycle back again, but it’s a bit like the tide going in and out. You know what doesn’t go out of style, however? Creepy old houses. Why? Because they are awesome.

Synopsis

When Sana and her father move into an Akbar Manzil, an old mansion that serves as a boarding house in South Africa, Sana finds herself enamored with the house and its history. She ventures into a wing of the house that no one ever enters to find tantalizing clues of the lives lived before within the walls. In a prior timeline, we get the story of Meena, a young woman pulled out of poverty by a wealthy man for the purpose of becoming his second wife. As time moves on and Meena falls more in love with her husband, the cruelty she receives from the first wife and her mother-in-law intensifies. All the while, the Djinn has been watching and waiting.

Review

As I previously mentioned, I love creepy old houses. When done well, the house acts as a character whose sadness and whispers of forgotten pasts fill the space with a heavy foreboding. In this case, the Djinn acts as sort of the personification of the house. It’s tied to it, and it has no choice but to exist within the walls in a prison of memory and grief. This is quite a lovely and unique twist on the genre, and I enjoyed the fusion of the gothic and cultural elements. I see this book labeled as horror, and I wouldn’t call it that. It’s magical realism, for sure, but I never really got the sense I was reading a horror novel.

The two separate timelines are well-balanced and I found myself actually surprised at one detail as to how they came together in the end. There was something I had a suspicion about, and I was half right but wrong on the specifics. I did feel like there were some loose ends at the conclusion that left me feeling a bit dissatisfied, but the experience of reading this one is very pleasant. It has good pacing and, for the most part, I enjoyed the character development. I hated how obtuse Mr. Khan was in the face of Meena’s plight. His mother and first wife were positively awful to Meena, and at any point he could have stepped in and protected her. Instead, he lives his completely oblivious existence. Sadly, I think this is probably a very authentic portrait of family dynamics in traditional Indian households. He makes the money and leaves the management of the house to the matriarchs. And a son never defies his mother.

Overall, I enjoyed this for the lovely non-horror historical novel that it is even though I felt a little dissatisfied by the ending.

Rating: 4 out of 5.

Published January 9, 2024 by Viking. ISBN 9780593653456. 320 pages. Hardcover.

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The Prospectors by Ariel Djanikian – a Book Review

In 1941, 100 copies of a memoir by Alice Edna Bush Berry were published privately by a small press. The book was called “The Bushes and the Berrys” and recounted the family histories of the Bush and Berry families and their subsequent adventures into the Klondike where they would strike it rich, as well as their later foray into the oil business. Eighty-two years later, Ariel Djanikian, a descendant of the Bush and Berry families, would release this novel that delves much more deeply into the impact the Gold Rush not only had on this one family, but also on the landscape and the groups of Natives displaced by the rush of white Americans hell-bent on claiming the “free” land that would make them rich.

On researching Djanikian, I stumbled upon some interesting facts about her life that inspired her to write such a work. While her great-great-grandmother, Alice Bush (sometimes referred to as Edna or Tot), was on the receiving end of fortune at the expense of others, her Armenian father had escaped Turkey during the Armenian genocide of 1915, an event that claimed his parents and siblings. Djanikian says, “[w]hen writing this book, I wanted to dramatize the way fortunes are made, how individuals position themselves within families to seize wealth, and how racism is used as a cruel instrument for maximizing profit.”* We tend to celebrate the plethora of “rags to riches” stories that come out of the American frontier while turning a blind eye to those whose lands, resources and ways of life were stripped from them by force.

Life is not as simple as a 1950’s Hollywood western where the brave and ethical cowboy battles the bad guys and saves the damsel in distress. In the true American west, cruelty reigned supreme and was so often motivated by racial prejudice and sheer greed. Don’t get me wrong, that doesn’t mean that Djanikian presents the Bushes and Berrys as villains. She presents them as humans, driven at first by desperation and then at the prospect of more. Let’s face it, history is full of people who, when presented with a better life, take it. They didn’t hesitate and ruminate on consequences. They saw people stepping off boats with pocketfuls of gold and the promise that if you can get yourself there alive, the land is yours for the taking. They weren’t evil, but the Bush and Berry families were like other prospectors of their time, consumed by a single-minded quest to better their own lives while remaining completely ignorant of the injustice that should have been right before their very eyes.

Djanikian also presents a future generation, a character named Anna who, at her Grandfather’s behest, sets off on a quest to the Klondike to make amends to the descendants of those wronged by her ancestors. While Alice’s initial memoir reads more like a journal laying out the surface facts of their family history, Djanikian’s novel delves so much deeper into the things that we can’t really know but that make sense. No single character is perfect but they are very authentic, and I applaud her for her ability to capture the nuances of the time. Readers won’t necessarily much like this version of Alice, but they won’t be able to deny that she’s a compelling historical figure very representative of the type of woman who persevered during such a time.

There’s a fair amount of excitement peppered throughout this book to make sure the adventure aspect is still present, but it’s still thought provoking and powerful in its historical presentation of identity, both racial and gender, and in family dynamics. It pretty expertly shows how the corrupting influence of money just continues to trickle down through generations and erodes what little dignity there is left of a family, with some important exceptions.

I highly recommend this book for lovers of historical fiction, especially if you’re looking for those lesser-covered subjects and time periods. Additionally, if you’re interested in reading Alice Bush Berry’s original memoir, it’s available pretty much anywhere online as it’s in the public domain, so check them both out.

Rating: 4 out of 5.

Published October 3, 2023 by William Morrow. ISBN 9780063289734. 448 pages. Hardcover.

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WWW Wednesday – March 27, 2024

Welcome to WWW Wednesday, a weekly meme hosted by Sam at Taking on A World of Words. In this series, bloggers answer three questions about their weekly reading. The three W’s are:

  • What are you currently reading?
  • What have you recently finished?
  • What will you read next?

What am I currently reading?

I’m still woefully behind on my reviews, but I’ve certainly made reading progress. I’m currently reading two books. In hardback, I’m reading the urban fantasy Masters of Death by Olivie Blake. On audio, I’m listening to a book that’s caught readers’ attention lately because of the Oscar Nominated movie adaptation released last year. It’s Poor Things by Alasdair Gray. I have to say, I’m really enjoying both of them and am looking forward to getting to my reviews.

What have I just finished reading?

I’ve most recently finished the controversial memoir A Million Little Pieces on audio. This was the book club pick for this month. It was a great discussion piece and I’m looking forward to penning my review which I hope to put out this week. I also finished a wonderful gothic novel I borrowed from the library. It’s The Djinn Waits a Hundred Years by Shubnum Khan.

What Will I Read Next?

This is my favorite question and often the most difficult one to answer. My only planned read is The House of Doors by Tan Twan Eng. I actually started this audiobook a while back and got distracted by something else almost immediately, so I will go back to it and start over again when I finish Poor Things. From there, the possibilities are endless! That’s it for me. What are you reading lately?

Until next time, happy reading!

Posted in Fantasy, General fiction, Gothic, Historical Fiction, Literary Fiction, Memoir, Uncategorized, Urban fantasy | Tagged , , , , , , | Leave a comment