After a few heavy books, I decided it was time to pick up something light, so I specifically sought out an audiobook to slide into my “Cozy Feel Good Read” category for my 2022 reading challenge. The winning selection was this sweet tale about Savannah Cade, a junior assistant editor at Pennington Publishing, a publishing house in Nashville that specializes in only the most highbrow literature and frowns on anything commercial. Savannah, however, harbors a secret dream of becoming a romance novelist. Her hopes are a bit dashed when her dream publisher tells her that her manuscript is simply not good. It’s promising, but it’s certainly not good. With one more chance to redeem her manuscript and a little more than a month to completely redo it, help comes from an unlikely place. After leaving her disheveled manuscript in a hidden room nestled behind the ARC room at Pennington Publishing, she comes back to find it neatly stacked with notes from a mysterious editor scribbled in the margins.
Over the next few weeks, Savannah and the mystery editor correspond back and forth and she finds herself falling for him. To complicate matters, she also finds herself developing a connection with someone else, her enigmatic and more than slightly intimidating new boss, William Pennington. And there’s even a third guy who we will discuss a bit later who should have been left out, but he’s still there to complicate matters as well. Who will she choose? And will Savannah’s dream of becoming a romance novelist finally come true?
Listen, I didn’t start this book expecting it to set off literary fireworks. I wasn’t in the mood for something complex, and complex it is not. It is the gooey saccharine sweet of a Hallmark movie, which is often why I stray away from the romance genre in general. Savannah is a pretty delightful but also frustratingly obtuse central character. The plot is so predictable I thought Savannah was quite the idiot for not really seeing through it in the first few chapters. William Pennington is the modern-day version of Fitzwilliam Darcy. He’s dashingly handsome but fiercely serious, and Savannah can’t quite stop herself from making a fool of herself in his presence. She finds him simultaneously infuriating and intriguing. In spite of it all, there is a connection there that Savannah can’t deny. I’m not sure how well I saw that connection. It seemed like they mostly talked about work, and I can’t say that would get my loins tingling. To each their own.
Savannah is quirky and naive. She has a dreadful family, especially her sister, Olivia. The two sisters live together in an apartment where they both get to cozy up to Olivia’s fiance who just happens to be Savannah’s ex-boyfriend of eight years. Let me say that again. SAVANNAH’S EX BOYFRIEND LEFT HER FOR HER SISTER AND SAVANNAH NOT ONLY DID NOT MURDER THEM BOTH BUT SHE MOVED IN WITH HER.
I’m sorry, but agreeing to that arrangement makes me want to punch Savannah to wake her the hell up. To make matters worse, Ferris, the ex, continues to bring Savannah flowers and coffee and periodically say sweet things and act possessive when other men are around.
No one is as good-natured and forgiving as Savannah. Nor should they be. Those people we call doormats, and that’s not a compliment. I celebrated when another character delivered her a harsh reality check about just how screwed up the whole situation was. And her hideous parents had reacted as if Savannah should just move on and stand by her sister because the Cades always put family first. Then why wasn’t Olivia expected to put family first and tell Ferris to bugger off??? Instead they give her a tissue and a pat on the back and tell her she has to welcome Ferris back into her life as her future brother-in-law. What a double standard!! How could Savannah ever have a successful and fulfilling relationship if these are the models of behavior she has been given?
That being said, I like a heroine who struggles with confidence. After all, we are all heroines in our own stories, and most of us feel so average as to be mundane. I know I do. Savannah always did next to her perfect sister and her perfect parents, each of which had pages of accomplishments to their name. Thankfully, a lot of modern romance novels of the quirkier variety tend to feature a heroine that resonates with the typical woman. My biggest quibble was with the predictability of the plot. It was so obvious where everything was heading. There was one minor twist at the end, but it was utterly inconsequential and was only thrown in to explain the red herrings that were supposed to convince us we didn’t know what we knew. But oh my, did we know! The mystery editor was basically the toddler playing hide and seek who “hides” behind a 3-inch wide pole in plain sight and thinks if he doesn’t move no one will notice him, going so far as to yell “you can’t see me!” when you stop counting. Yeah, there was literally no mystery to anyone except Savannah, and that just made her look foolish and even more naive than she already looked.
Overall, it was an enjoyable read. There were some legitimately funny and clever moments and some quirky side characters that were occasionally over the top, but they did keep things interesting. I can’t help but hate Savannah’s chosen pen name. You have a name like Savannah Cade, which sounds like it was made for romance novels, and you publish under something mundane like Holly Ray? That’s a very petty quibble, but so be it. I will also note, this book is classified as Christian fiction, which I didn’t even realize until after I’d read it, and I really see no reason for that designation beyond the fact that it’s as devoid of sex and language as the public perception of a nunnery. If you like your romance clean, this is the book for you, but you don’t have to worry about the appearance of Jesus with the keys to the chastity belt and a lecture about piety, which is quite a relief to this reader. My rating: 3 stars.
Published February 15, 2022 by Thomas Nelson. ISBN 0785231072. Audiobook. Runtime 7 hrs. 51 mins. Narrated by Talon David.
Not for the faint of heart, this true crime book recounts the tale of the “Bloody Benders,” a family that quietly terrorized the people of Labette County, Kansas in the late 1800’s. There is a lot of mystery surrounding the Bender family, and that’s the main reason people are still utterly fascinated by their story. Their crimes were brutal, devastating, and went unnoticed by almost everyone due to the transient nature of many people during this time period of expansion out West. The fact that to most townspeople the Benders seemed to be odd but respectable members of the community while the bodies piled up beneath the dirt on their homestead is a haunting truth.
This is an older book and the first in a series that follows Nina Borg, a Red Cross nurse and a compulsive do-gooder who can’t say no when asked for help. To be honest, I hadn’t heard of this series, as this isn’t a frequent genre for me, but when I pass a book with the title The Boy in the Suitcase, I need to know two things: is he still alive and why the hell did they put him in a suitcase? Well done, ladies. You baited the hook and caught me. I think we all know at least one Nina, the person with the heart of gold who tends to get in over their heads because they just can’t walk away from something they shouldn’t have to contend with alone. As with Nina, this can often result in problems at home and at work, because they set aside their own life in the name of making a difference.
In the past couple of years, I think I’ve read more Lisa Jewell books than any other single author. Each of her books is unique, plots and characters independent and easily distinguishable from one another. There are always plenty of twists and turns and mysteries to keep you reading. This particular book is no exception. There is a followup to this book to be released on August 9, 2022, so you can bet I’ll be reading it ASAP. I’ve already jotted it into my 2022 Most Anticipated New Release slot for my reading challenge.
I had been hearing a lot of buzz about this memoir, and after reading it I can see what all the fuss is about. There is a brilliance to Matthew McConaughey that isn’t often conveyed in his films. Later films, yes. Earlier ones with the pretty and often brainless leading man? Not so much. The thing is, he knew this. He purposely almost tanked his career in order to break free from his typecasting as the romcom leading man, something he does outline in his memoir. This is an excessively difficult thing to do in Hollywood, especially for someone so handsome. Let’s be real, there are prejudices against everyone, including beautiful people. The world looks at them and thinks there’s not much more to them than that: a pretty face and rockin’ bod. Everyone should be allowed their complexities and unique ability to shine as a human. In Matthew McConaughey’s case, he took it whether it was offered or not.
This novel is one I’ve had sitting on my shelf for many years. I picked it up at a used bookstore years ago because I liked the cover. I honestly didn’t have a clue what it was about. As with many books I own, it languished on my shelf until I gave myself a reason to pick it up. Once I figured out it was a novel about the life of Henry James, I began looking forward to reading it very much. I’ve admired James ever since reading The Turn of the Screw in high school. To this day, it remains one of my favorite books. I love the psychological nature of James’s work, and Toibin has done an excellent job delving into the aspect of his personality and interests that led him to have an interest in exploring the psychological nature of his characters.
I have a lot of respect for this book. It’s wildly inventive, a truly unique blend of magical realism, historical fiction, and coming of age drama. The coming of age part is in a pretty roundabout way but I still think it’s highly applicable. There are multiple layers to the appeal of this book. Lovers of historical fiction will adore the meticulous research and the dedication to authenticity that accompanies the characters and setting. They will also marvel at the way Wecker seamlessly incorporates real folklore and legend from multiple cultures into the fantasy elements of the story. And obviously, fantasy lovers will love the more unique elements and the captivating way Wecker blends fantasy and reality.
Well, I will be completely up front with you. With my next several reviews, I’m going to have to be very concise. I’m desperately behind. My era of distraction and disillusionment has not yet abated, and I’m going to have to do something about it unless I want to just abandon all hope of completing my goals for this year. I’m not yet ready to do that. Perhaps you will be grateful with me for not being quite so long winded.
Victoria Schwab is really quite versatile. She is a prolific writer with more than 20 distinct titles to her name just at the age of 34. That’s quite the breakneck pace of authorship. Admittedly, I’m rather skeptical of authors who crank novels out so quickly. What I often notice is that a superb debut is often followed by a string of lackluster disappointments. I realize much of this is due in part to pressure put on authors by publishers and die-hard fans salivating over what could be the next big obsession. I sympathize, because that must be a dreadful feeling. Don’t get me wrong, I’m not at all claiming Schwab is guilty of this. Frankly, I haven’t read enough of her work to make up my mind, because I’m still relatively new to the Schwab library. If you’ve read quite a lot of her work, please feel free to weigh in in the comments.
Let me preface this review by stating that as a white heterosexual female, I’m not exactly the target audience for this book, but I still found it to be quite possibly the most powerful and illuminating read of the year. Every letter of this epistolary novel made me deeply contemplate some aspect of humanity or it broke my heart, sometimes both in equal measure. The only reason pain destroys us a little at a time is we don’t give ourselves time to contemplate it. We suppress and deny until what remains is a shell of who we once were. Empathy doesn’t flee the human heart overnight. This can be on a more personal level or on a grand scale that alters human history. As people, we can stop ourselves from thinking, but we can’t stop ourselves from feeling. What happens when one allows emotions to overtake without the benefit of thought? People get hurt. That’s why I’ll never stop arguing that proper education is the solution to our societal problems. And a proper education includes fiction. In fact, literature is essential to a proper understanding of history. I am fascinated by history. I love history. But the history I love is not facts and figures.