I have never been to one, but I know many people believe there’s nothing on this Earth more terrifying than an IKEA. They balk at the idea of entering the humongous chain store in which one could easily get lost, and they especially balk at taking home a jigsaw puzzle-esque project likely to push them over the edge into insanity. Grady Hendix knows this, and he is playing upon their fears in the most delightful way.
He introduces us to Orsk, a Scandinavian mega-giant chain store offering home and office furnishings for those who like difficult projects that wreak havoc on one’s mental health. Our lead character is Amy, the most unlikely of final girls, an employee who happens to hate her job and isn’t really very good at anything. Frankly, she doesn’t care enough to ever be good at anything, or that’s at least the vibe she gives off to the rest of the world. However, Amy needs money quite badly so she accepts an extra overnight shift from Basil, her excessively annoying manager, to stay at Orsk and try to catch whoever has been vandalizing the place at night. Together with Basil and a handful of other employees, Amy will figure out that the huge Scandinavian chain store is, in fact, trying to kill us all.
Honestly, the sheer premise of this book is delightful. The execution for it was decent. It is a little rushed. As a short volume, he could have even expanded on a little more and I would have been totally ok with it. I would like to get my hands on an actual copy, as I notice it’s crafted to look like a store catalog, and that’s pretty awesome. As I listened to it, I found Bronson Pinchot’s radio-announcer interludes advertising products that introduce each chapter to be positively fabulous, especially as they take on a creepy tone.
As seems to be in typical Grady Hendrix fashion, this book goes from tame standard mystery fare into vomit-inducing gross gory goop at the snap of your fingers. Truly, Grady Hendrix isn’t for the squeamish. Otherwise, it’s a good mix of moderate scares and humorous dialogue. Honestly, I found the history behind the supernatural aspect to be sad, made more horrifying by the fact I know it’s in some way based upon institutions guilty of similar atrocities than in any kind of supernatural horror aspect. I enjoyed Amy as a main character, especially for her unique leading lady quality and her ability to grow and rise to the occasion as the story progressed.
Overall, I liked it, but I think I will remember it mostly for its truly original concept versus the actual story, but it was a really good choice for a Halloween season read.
Published September 23, 2014 by Blackstone Publishing. ISBN 9781483049786. Narrated by Tai Sammons and Bronson Pinchot. Runtime 6 hrs, 16 mins.
I love this kind of book. The Stargazer’s Sister is the mostly-true story of Caroline Herschel, the also famous sister of legendary astronomer, William Herschel. Anyone with even a passing interest in astronomy will know his name, and even those without that passing interest are familiar with some of his discoveries. Ever heard of Uranus? Yeah, he found it. No big deal, right? He perfected the design of the telescope allowing humans to visually reach farther into the universe than ever before. William features heavily in this novel, but Lina, as Caroline is better known, is the true star.
The People We Keep follows 16-year-old April Sawicki. Living alone in a motorhome technically owned by her deadbeat dad, her mother existing only in memories from before she ran off, April has only her own grit and willingness to break laws in order to survive. In order to live, she has her music, her one true link to something real and lasting. After a vicious fight with her father, April decides to set off on her own in search of a place and people who could actually feel like home.
October is a busy month for most of us in my book club, Read Between the Wines, and this month it was my choice for book selection. I chose this short and quick Southern Gothic paranormal mystery for something easy to tackle but also season-appropriate. While Kingfisher has published quite a bit, this is the first of her books I’ve had the pleasure of reading.
I’m struggling with how to even start this review. It will be heavy, and more than slightly uncomfortable. Honestly, I’m kind of wishing I never lifted this book off the shelf. Maybe that’s why I haven’t posted a review SINCE MAY!!! Good God, what’s wrong with me?
Let me first preface this review by saying this is at once the most infuriating and most wondrous book I’ve read in a very long time. At first glance, I didn’t think this book would be an articulate work of women’s fiction celebrating a brilliant and beleaguered scientist fighting her way through a world of utter shit bags. From the cover art, I prejudged it as being just another feel-good schmaltzy romance. Not that there’s anything wrong with that on certain occasions, but schmaltzy romances don’t usually make my blood boil and give me dreams of kicking misogynists in the balls repeatedly until they repent of their sins. There were times in this book I quite justifiably wanted to maim someone. Only really bad people, of course. I am the Dexter of women’s fiction.
I stumbled upon this book on the shelf at the local library. The cover screamed “ATMOSPHERIC,” so it pulled me in. It is a blend of Russian folklore and medieval fantasy. It follows young Vasilisa (“Vasya”), the daughter of the local village leader. Vasya is an odd girl, wild and free and most at home in the forest or with the horses. She sees ancient creatures that no one else can see, the creatures of folklore that care for the home, the forests, the lakes, and the wildlife. 




Ok, so you know how in my last review I said that Foley wasn’t formulaic? I’m about to contradict myself here, because there are some pretty striking similarities between The Guest List and The Hunting Party, one of her earlier novels. Both books have a group of people traveling to an isolated island getaway, one off the coast of Ireland and one Scotland. Someone gets murdered. We don’t know who it is and we don’t know who did it. The guests are there on these secluded islands for different events, but they still wind up in pretty similar predicaments, and old festering resentments eventually rear their ugly heads. With that being said, I do feel Foley did a good enough job of distinguishing the two works through her character development. Additionally, this particular Agatha Christie-esque style is pretty common in the genre because it works.
I recently embarked on an impromptu Lucy Foley mini-marathon, consuming three of her books in a row over the course of a couple of weeks. I guess I was just in the mood for something engaging and exciting but not super complex. This will be the first three of the reviews, and it is the first one I completed. I won’t spend a whole lot of time on these reviews while I’m attempting to catch up, so don’t expect any of the reviews to be extremely detailed.