Horrorstör by Grady Hendrix – a Book Review

I have never been to one, but I know many people believe there’s nothing on this Earth more terrifying than an IKEA. They balk at the idea of entering the humongous chain store in which one could easily get lost, and they especially balk at taking home a jigsaw puzzle-esque project likely to push them over the edge into insanity. Grady Hendix knows this, and he is playing upon their fears in the most delightful way.

He introduces us to Orsk, a Scandinavian mega-giant chain store offering home and office furnishings for those who like difficult projects that wreak havoc on one’s mental health. Our lead character is Amy, the most unlikely of final girls, an employee who happens to hate her job and isn’t really very good at anything. Frankly, she doesn’t care enough to ever be good at anything, or that’s at least the vibe she gives off to the rest of the world. However, Amy needs money quite badly so she accepts an extra overnight shift from Basil, her excessively annoying manager, to stay at Orsk and try to catch whoever has been vandalizing the place at night. Together with Basil and a handful of other employees, Amy will figure out that the huge Scandinavian chain store is, in fact, trying to kill us all.

Honestly, the sheer premise of this book is delightful. The execution for it was decent. It is a little rushed. As a short volume, he could have even expanded on a little more and I would have been totally ok with it. I would like to get my hands on an actual copy, as I notice it’s crafted to look like a store catalog, and that’s pretty awesome. As I listened to it, I found Bronson Pinchot’s radio-announcer interludes advertising products that introduce each chapter to be positively fabulous, especially as they take on a creepy tone.

As seems to be in typical Grady Hendrix fashion, this book goes from tame standard mystery fare into vomit-inducing gross gory goop at the snap of your fingers. Truly, Grady Hendrix isn’t for the squeamish. Otherwise, it’s a good mix of moderate scares and humorous dialogue. Honestly, I found the history behind the supernatural aspect to be sad, made more horrifying by the fact I know it’s in some way based upon institutions guilty of similar atrocities than in any kind of supernatural horror aspect. I enjoyed Amy as a main character, especially for her unique leading lady quality and her ability to grow and rise to the occasion as the story progressed.

Overall, I liked it, but I think I will remember it mostly for its truly original concept versus the actual story, but it was a really good choice for a Halloween season read.

Rating: 3 out of 5.

Published September 23, 2014 by Blackstone Publishing. ISBN 9781483049786. Narrated by Tai Sammons and Bronson Pinchot. Runtime 6 hrs, 16 mins.

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The Stargazer’s Sister by Carrie Brown – a Book Review

I love this kind of book. The Stargazer’s Sister is the mostly-true story of Caroline Herschel, the also famous sister of legendary astronomer, William Herschel. Anyone with even a passing interest in astronomy will know his name, and even those without that passing interest are familiar with some of his discoveries. Ever heard of Uranus? Yeah, he found it. No big deal, right? He perfected the design of the telescope allowing humans to visually reach farther into the universe than ever before. William features heavily in this novel, but Lina, as Caroline is better known, is the true star.

A brilliant astronomer in her own right, Lina would go on to discover numerous comets, one of which bears her name. She was the first female scientist to receive a salary, the first woman in England to hold a government position, the first to be awarded a Gold Medal of the Royal Astronomical Society, and a few other firsts. Standing at just 4 foot-3 inches tall, Caroline Herschel was still a total badass, especially considering she had to work extra hard in order to convince people to take her seriously simply for being a woman. Caroline and William remained extremely close throughout their lives, with Caroline originally living with William and working as his assistant. When William married in 1788, Caroline left the home and went out on her own. While some view her as a jealous and bitter woman who felt cast out, I think this is way too simplistic of an outlook. In reality, while it may have stung being forced out of the only home she’d ever known, Caroline took the opportunity to achieve more independence, and this period is when her own accomplishments began to shine. She didn’t wallow. She rose above and kept bettering her own life.

The real question is how does all of this factor into the novel? Brown does take quite a few liberties, but the spirit of Caroline’s story is quite intact. Brown begins with Caroline’s early life, a difficult life with a miserable and uncaring mother from whom William offered her an escape. Under William’s tutelage Caroline thrived, discovering and exploring the depths of her own intellect. She managed every aspect of the household while also juggling her academic duties as William’s assistant. Frankly, if the novel is to be believed, William wouldn’t have achieved near as much without Lina’s tireless efforts to assist him, keeping everything in order so that he could pour all of his time and energy into developing his telescopes.

Brown effortlessly and authentically captures the essence of Lina. She is complex, both aware of her intellectual prowess while also possessing almost crippling doubts about her worth as a woman. She adores and idolizes her brother but is fully aware of and accepting of his faults. At times, I even found Brown’s depictions of Lina’s feelings for William as verging over into the inappropriate category. Somewhat of a savior complex, I presume. The biggest criticism I see from other readers is that it is long and not a lot happens. What does happen materializes slowly. These readers aren’t wrong, but I didn’t find myself being bothered by it. I enjoyed reading this book and was content to follow Lina’s story for a while, even if it meandered through the drudgery of her day to day existence. In the late 1700’s and early 1800’s, women’s lives were not full of adventure. For God’s sake, I picked up a historical fiction book about 18th century astronomers. I didn’t expect them to actually go to space. Lina was a work horse, and she deserved any manner and amount of accolades that eventually came her way. I guarantee you she deserved a lot more than she actually received.

There was one liberty Brown took in introducing us to William and Lina’s lives that I don’t agree with, as it makes no sense to me. Brown presents to us readers that William Herschel and his wife, Mary Baldwin Herschel, were never able to have children and this was a great sorrow for them both. This is purely contrived. In fact, the couple’s son, Sir John Frederick William Herschel was a famed mathematician, astronomer, chemist, inventor and photographer. He was a big fucking deal! Additionally, Lina shared a very deep bond with her nephew that would last beyond her brother’s death. I feel like Brown replaced John with her contrived character of Stanley, who didn’t really add all that much to the story except for his place as a companion for Lina, and she could have just as easily used John and remained more authentic in her representation of this family’s history. In fact, she cuts off his whole bloodline. John would go on to have TWELVE CHILDREN. There are all kinds of William Herschel descendants bopping around this planet today, and Carrie Brown robbed him of a large part of his legacy. Of all the things to take a writer’s license with, I thought this was an odd choice.

Overall, I enjoyed the writing, and I applaud the fact that Carrie Brown gave a wonderful woman from history a real voice. Caroline Herschel is definitely someone to be celebrated.

Rating: 4 out of 5.

Published January 19, 2016 by Pantheon. ISBN 9780804197939. 352 pages. Hardcover.

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The People We Keep by Allison Larkin – a Book Review

The People We Keep follows 16-year-old April Sawicki. Living alone in a motorhome technically owned by her deadbeat dad, her mother existing only in memories from before she ran off, April has only her own grit and willingness to break laws in order to survive. In order to live, she has her music, her one true link to something real and lasting. After a vicious fight with her father, April decides to set off on her own in search of a place and people who could actually feel like home.

This is a beautiful book, and at times it’s very difficult to read. April is the kind of damaged that can’t be fixed overnight. Beneath her desire to find something lasting is a fear of being abandoned. The result is that she doesn’t know how to stay anywhere. She doesn’t know how to keep anyone because she doesn’t believe she’s worthy of being kept. It would be easy to look at April and judge her, but we are talking about a child. The need for survival makes selfish beasts of us all whether we want such a life or not. April is a scared child just looking for a lifeline. She has to lie, steal, and run in order to protect herself. Or so she thinks, because it’s the only thing she’s ever known. People, in her experience, only ever want from you what you can give to them. There’s never anything given in return. It’s beautiful to watch April encounter people along the way who show her that love and trust are possible. Her journey to discovering she actually deserves love and trust is a frustrating but authentically drawn.

I do love that Larkin didn’t really make this a romance. There are elements of that, but ultimately each instance takes a backseat to the more lasting and more powerful theme of friendship. And with every relationship April finds herself in, whether friend or lover, April discovers her own power to wound or heal. This is a simple story about complicated aspects of life, and it’s both beautiful and heartbreaking.

Rating: 4 out of 5.

Published August 3, 2021 by Simon and Schuster Audio. ISBN 9781797124360. Runtime 11 hrs, 8 mins. Narrated by Julia Whelan.

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A House With Good Bones by T. Kingfisher – a Book Review

October is a busy month for most of us in my book club, Read Between the Wines, and this month it was my choice for book selection. I chose this short and quick Southern Gothic paranormal mystery for something easy to tackle but also season-appropriate. While Kingfisher has published quite a bit, this is the first of her books I’ve had the pleasure of reading.

Synopsis

The book follows Sam Montgomery, a young woman who returns home on an extended break from work to stay with her mother in the house that used to be occupied by her mysterious and prickly grandmother. Sam finds that her mother is acting quite strangely and odd things start happening around the house. With nothing but time on her hands and a growing sense of paranoia, Sam decides to investigate to get to the bottom of the strange happenings plaguing her home.

Review

I know what you might be thinking. That synopsis sounds like a million other books I’ve read in the genre. You’d be right. The “girl returns to creepy old house and experiences creepy stuff” thing has been done a lot, but this book does add its own unique vibe to it. First of all, Sam is quite relatable for your everyday human. She’s overweight, a bit boring, and isn’t exactly winning any popularity contests. She spends most of her time at her mother’s house lounging on the couch with snacks watching detective shows when she isn’t begrudgingly working on dead bug classification. You see, Sam is an archaeoentomologist. She doesn’t just study bugs. She studies long-dead bugs. Yep, that’s a job that people do willingly. Sam may be pretty passionate about what she does for a living, but not a lot of people want to listen to a grown woman drone on about her fascination with dead bugs. While this book does drift super dark toward the end, Sam lends a certain amount of quick-witted humor to keep things from getting overwhelmingly distressing. Most of the book we spend swimming around in her internal monologue, which could be painfully dull with the wrong narrator. Frankly, I enjoyed spending time with Sam’s thoughts. Her perspective is unique and refreshing. While secondary characters are a bit sparse, those that do make an appearance are memorable and well-drawn. They add something important to the ambience.

The last quarter of the novel brings about a very abrupt tonal shift. One moment we’re loping along with Sam’s thoughts, analyzing weird ladybug activity, and the next we are surging forward into darkness, chaos and a nightmare full of creepy-crawly awfulness. It is jarring, to say the least. As far as plot is concerned, there’s not really much of a mystery. The reader is given plenty of hints along the way, and we have formulated an accurate portrait well before Sam has stumbled onto the truth. I seriously doubt I’m the only one who felt this way. Nothing was surprising in the least. The only thing surprising is that ladybugs were used as a device in a horror novel.

Scary, right? Kingfisher obviously doesn’t play by the rules, and I respect that. I thoroughly expect her next book to include a horde of horrifying hamsters, if only for the alliterative quality.

In short, I found this book to be quick but enjoyable. I’m looking forward to reading more of Kingfisher’s work in the future.

Rating: 3.5 out of 5.

Published March 28, 2023 by Tor Nightfire. ISBN 9781250829795. Hardcover. 247 pages.

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All the Ugly and Wonderful Things by Bryn Greenwood – a Book Review

I’m struggling with how to even start this review. It will be heavy, and more than slightly uncomfortable. Honestly, I’m kind of wishing I never lifted this book off the shelf. Maybe that’s why I haven’t posted a review SINCE MAY!!! Good God, what’s wrong with me?

In lieu of giving a formal synopsis, I’m just going to jump in. Our main character is Wavy, a waifish child of an abusive meth-dealing father who mostly ignores her existence, and a chronically depressed mother who spends all her days in a drug-fueled semi-conscious purgatory. Wavy spends her nights memorizing constellations and sneaking food, and she spends her days keeping her little brother alive since no one else seems up to the job. Essentially, this girl never got the chance to be a child. There are mental and emotional things going on here that would require professional help. What she gets instead, however, is a similarly-troubled young man named Kellen. She witnesses him wreck his motorcycle and comes to his aid at the age of 8, and the two develop a friendship. Over the course of the novel, however, their friendship develops into something more.

Ok, first of all, I will not be talking about how romantic this book is. You can not have a romance between a man and a child. What I did see, and it was done really well, are two people who actually take the time to see each other when no one else will. I can see how a bond would form between those two people. However, Kellen met Wavy when she was 8 years old. By the time she is 13, their relationship has become, if not overtly sexual, sexually charged. At this point, Kellen is 25. This is where I can’t be on board. It’s not as if his attraction to her grew over time. It grew in intensity, but he admits to wrecking his motorcycle because the sight of her standing there blinded him and he thought she was an angel. She was the most beautiful thing he’d ever seen. SHE IS AN EIGHT YEAR OLD WHO IS DESCRIBED AS LOOKING EXTREMELY YOUNG FOR HER AGE!

All that being said, Greenwood is a fabulous writer. Her characters are raw, realistic, and intensely complicated to the point of being utterly problematic. I did not dislike this book, but it left me feeling so conflicted I was a bit queasy. Frankly, I don’t dislike Kellen. I probably should feel like he groomed Wavy, but I don’t think that at all. Not intentionally, anyway. I believe he was very conflicted about his feelings for her, and Wavy honestly seemed to be the more aggressive one in this relationship. However, Wavy had grown up seeing women as commodity. They were there as something to be used by men. Considering this, she does not have a healthy view of love or relationships. She would feel she owes him something in return for his kindness. We are talking about a little girl who’s witnessed her own father receiving blow jobs from the various women he keeps around for his amusement right under the nose of his half-comatose wife. While Kellen does his best not to take advantage of Wavy, he still plays with fire way too much. If you know you should not be having inappropriate relations with a little girl, you shouldn’t sneak up to her bedroom at night and sleep in her bed. Frankly, both of these individuals need some serious mental health help before they can pursue any kind of fulfilling relationship.

See? There’s a consensus.

I’m not going to go into the ending, but let’s just say it does nothing to assuage these problematic feelings. I will give Greenwood credit for coming up with something moving, original, and intensely thought provoking, but I’m going to close this chapter of my reading life with giving this one 3 stars. And then I’m going to try to forget about the icky feelings this one inspires.

Rating: 3 out of 5.

Published August 9, 2016 by Thomas Dunne Books. ISBN 9781250153968. 432 pages. Hardcover.

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Lessons in Chemistry by Bonnie Garmus – a Book Review

Let me first preface this review by saying this is at once the most infuriating and most wondrous book I’ve read in a very long time. At first glance, I didn’t think this book would be an articulate work of women’s fiction celebrating a brilliant and beleaguered scientist fighting her way through a world of utter shit bags. From the cover art, I prejudged it as being just another feel-good schmaltzy romance. Not that there’s anything wrong with that on certain occasions, but schmaltzy romances don’t usually make my blood boil and give me dreams of kicking misogynists in the balls repeatedly until they repent of their sins. There were times in this book I quite justifiably wanted to maim someone. Only really bad people, of course. I am the Dexter of women’s fiction.

It is the early 1960’s and chemist Elizabeth Zott becomes an unlikely television sensation with her breakthrough cooking show, Supper at Six. From a platform she never thought she’d hold and truly never wanted, she’s able to reach millions of women to show them a life they’ve never been allowed to pursue. As we learn more about Elizabeth’s past, it brings her present into such raw and stunning clarity, and it’s more than a little heartbreaking. It’s a true and touching tribute to the women who came before our present generation who refused to be disrespected and denied due credit for their accomplishments.

The greatest attribute of this book is character development. There was not one character who wasn’t properly crafted and presented. There are those who are imperfect but utterly lovable, and then there are those devoid of all manner of human decency. In other words, perfectly realistic! That isn’t sarcasm, btw. I actually mean that. I came to adore Elizabeth, her daughter, Mad, and their dog, 6:30. There were also characters who experienced intense growth through their interactions with Elizabeth. Some characters, one in particular, who absolutely infuriated me in the beginning of the novel I wound up liking by the end. One of the things I hate about our society of today is we seem incapable of offering people grace and compassion for prior bad ideas and actions. If we learn from our mistakes, why don’t we allow people to make mistakes and grow as humans? I mean, if they are still shit bags then I’ll see you at the weenie roast. I’ll bring wine.

I’ve read numerous reviews by other readers, and I can tell by the responses that people either love or hate this book. The biggest critique I’ve seen of the book is with Elizabeth’s personality. On the whole, Elizabeth does come across as cold and unemotional. Readers reject the idea that simply because she’s a scientist she would be devoid of emotion. Of course scientists have emotions. Just being analytical doesn’t mean you are incapable of feeling. This is fair, and I agree. However, I don’t agree that Elizabeth is unemotional only because of her love for and interest in science. She obviously feels emotions, and I think Garmus actually shows this quite well. She show’s Elizabeth’s suppression of these emotions because there is no other way to make it in a male-dominated field unless she is a total rock.

Even today I have known women like this when it’s far easier to be a woman in a male-dominated work culture. Who cares if a man would be described as a confident go-getter but a woman is labeled an emotionless bitch. Get it done, sister. A woman like Elizabeth Zott knows she will have to have an exterior twice as tough, a brain twice as smart, and the mental fortitude of all her colleagues combined in order to gain even half the respect of the dumbest imbecile on the team. If I had to choose between hiding in a bathroom stall weeping or kicking some ass, I think I know which I would pick. You do what you know and fight for the right to do it. If they don’t let you and tell you to get back to the kitchen, do a damn cooking show and teach some bored, unhappy housewives about chemistry while you’re at it. Was Elizabeth a rare find among 1950’s/60’s women? Yes. Was she an as-yet formed species that was never observed in the wild? Not even close. There were badass bitches long before Elizabeth Zott came around. Sadly, we don’t know many of their names or faces because their work was pilfered by lazy assholes who held the magic wands of instant and undeniable credibility. Why yes, this is absolutely astounding work. Just show us the penis to prove you were able to craft it independently and we’ll give you the credit you deserve.

I think you’re probably starting to imagine why this book made me so angry. Not irrationally angry… just angry. I still loved it. I loved the characters and the way the story unfolded. I loved the subtle nuances of the relationships that were forged among the characters. I don’t see myself ever using scientific principles to become good at rowing. No amount of science can fix this level of poor fitness. I would still die the first time I pick up a paddle, but yay for Elizabeth for figuring it out.

You really should read this book. Separate yourself from the men in your life. Put away all sharp objects, number 2 pencils, and any and all varieties of poisonous mushrooms. Then go read this book. You’ll both curse and thank me later.

Rating: 4.5 out of 5.

Published April 5, 2022 by Random House Audio. First published March 31, 2022 by Doubleday Books. ISBN 9780593507537. Runtime 11 hrs, 55 mins. Narrated by Miranda Raison.

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The Bear and the Nightingale (The Winternight Trilogy #1) by Katherine Arden – a Book Review

I stumbled upon this book on the shelf at the local library. The cover screamed “ATMOSPHERIC,” so it pulled me in. It is a blend of Russian folklore and medieval fantasy. It follows young Vasilisa (“Vasya”), the daughter of the local village leader. Vasya is an odd girl, wild and free and most at home in the forest or with the horses. She sees ancient creatures that no one else can see, the creatures of folklore that care for the home, the forests, the lakes, and the wildlife.

Her mother having died after Vasya’s birth, her father goes to Moscow and brings back a wife, a strange devout woman who takes an instant dislike to Vasya. This new stepmother also sees the creatures of folklore, but she views them as demons that should be cast out. Also arriving is an enigmatic priest whose feelings for Vasya are complicated. She both disgusts and entrances him, her unholy presence a threat to both the people of the town and his own fragile soul. The priest insists that only God can cleanse the village of the evils that have befallen it. You know the story. It’s all your fault. Repent, wring your hands, fall on your knees and give yourself over to God and everything will be ok. Only Vasya continues to bring offerings to the creatures that have protected and served the people for hundreds of years. As they grow weaker while people forget, they begin to fade. They become unsettled and angry, and darkness and difficulty befalls the people of her village. As the conflict bubbles to the surface, Vasya and the kindly forces of nature will find themselves battling evils of devastating power both within the town and from deep within the forest.

This story is wildly inventive and beautifully written. Vasya is the kind of heroine you can’t help but love. She’s wild, independent, fiercely honorable and protective. Above all, she’s smart and courageous, if only a bit reckless. It’s this recklessness that forces her to action when there is desperate need. She’s not gullible in the face of fear-mongering. It’s not just supernatural ability that causes her to see more than most. She’s able to think critically when others shut down, and she refuses to allow the weak minded to prey upon her fears. This story may be from a bygone day, but it will always be relevant. Forget the fairy tales of the damsels in distress who sleep through all the action.

There is something melancholy about this story in what it represents. I adore the old legends of ancient folklore, but they have faded from the minds and hearts of people. In so many cultures, they were forced out by powerful invaders who brought their own religions they mandated as the truth. Over time, the people didn’t realize they had taken up the weapon as their own and left behind the stories and fables of their ancestors. Thank goodness for the written word that exists in celebration of these historical gems. The presence of legend and magic can still be felt and I think they can still make a comeback. I hope so, because I’d be very willing to leave out tasty treats for the domovoi if they’d help me keep my house clean.

The only thing I had difficulty with this book is keeping track of all the Russian terminology. Even character names got complicated because they were referred to alternately by given names or nicknames/shortened or adapted versions/etc. While this is probably 100% culturally accurate, it can spark some confusion. And when you aren’t familiar with the folklore, the names of some creatures could sound quite similar and run together. Arden did include a helpful glossary of terms, which is extremely helpful. I feel like once I got my bearings things became a lot easier.

4 stars for this unique fairy tale.

Rating: 4 out of 5.

Published January 10, 2017 by Del Rey. ISBN 9781101885932. Hardcover. 319 pages.

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The One and Only (hopefully) Lazy Overwhelmed Blogger Post

I decided I really needed to get myself much more caught up, so I’ve decided not to FULLY review some of my more recent reads from January through March of this year. One or two of them I will because I have so much to say about them, but the vast majority I’ll gloss over. I am doing very short reviews on goodreads, so if you want to know my overall thoughts and whether or not I’d recommend something, here’s a quick overview:

Glory Over Everything: Beyond The Kitchen House by Kathleen Grissom

My rating: 4 of 5 stars


I realized after cracking open this book it had been too long since I’d read The Kitchen House. However, it didn’t really seem to matter. There was mention of characters from the prior book, but for the most part it’s an independent story about the descendant of the characters to which we were previously introduced. The main character is Jamie, the light-skinned son of a slave woman and her master who has fled the plantation for the North after the tragic events that occurred in the prequel. He is now a powerful and wealthy man who is living as white and is heir to the successful business of his adoptive father. When a young boy who is very important to him goes missing, taken by slavers to the South to be sold, Jamie embarks on a journey back to the place from which he fled to save the boy. But the journey brings much danger, as Jamie is still wanted as a fugitive.

I really enjoyed this book. Sometimes Jamie really frustrated me, but I understood the fact that he had to grow and change over the course of the novel, becoming a better person. I think Grissom did an excellent job of exploring his story as well as the sometimes heartbreaking stories of other characters. Definitely a worthwhile read.

Radar Girls by Sara Ackerman

My rating: 4 of 5 stars


I toyed with the idea of giving this book my full attention with a detailed review but decided not to despite the fact that I thoroughly enjoyed this unique historical fiction work about a bunch of badass women. It’s an important piece of history surrounding a group of people many don’t know existed. It takes place on Hawaii during and after the events of Pearl Harbor in which the military set up a base for the protection of the island and the Country that would allow the United States to have warning of further attacks as well as to communicate with and direct American pilots during their dangerous missions. Many island women were trained in radar technology and staffed this unit. This book is their story, and it’s a lovely one. The novel is a fantastic tribute to the often overlooked heroes of WWII, and it’s also about the strength women find once they are finally told they are worth something.

The Hunting Party by Lucy Foley

My rating: 3 of 5 stars


I decided not to review this particular book on my blog. For one thing, I kind of went into my thoughts of the similarities between The Hunting Party and The Guest List in my review for the latter, and I said I prefer The Guest List. I found the characters more compelling and less annoying. For the love of God, don’t listen to this book on audio, because you’ll want to punch Miranda in the face. I found her sniveling snooty voice to be so vomit-inducing it was impossible to like her even a little bit. I don’t think I would have felt that way if I’d read it off the page, but maybe. Overall, it’s a good story and it’s well done. The conclusion is satisfying and a little bit surprising. I would recommend it (though, as I said, not the audio 🙂 )

The One Hundred Years of Lenni and Margot by Marianne Cronin

My rating: 4 of 5 stars


This book seriously tugs at your heart strings. It’s a fabulous audio. I loved the narrators for both Lenni and Margot. Lenni is a teenager with a terminal illness who lives at a hospital. She knows she doesn’t have much time left and is grappling with the overwhelming feeling of loneliness and confusion over her predicament. Margot is an elderly woman who is also a resident at the hospital with not a whole lot of time left. Though an unlikely pair, when Lenni and Margot meet they discover something incredible. Between the two of them, their ages add up to a full 100 years. Together, they have lived a full life. In celebration of that life, they will do a series of paintings together consisting of 100 paintings, one that represents each year in their lives. As they complete these paintings, we get the stories that accompany them. It’s a beautiful concept to a completely captivating and heartwarming story of friendship and growth. The cast of characters is lovable and quirky. Buy a couple extra boxes of kleenex and give this book a try. It’s worth it.

The Measure by Nikki Erlick

My rating: 4 of 5 stars


This is another one I feel deserves it’s own fully thought out, detailed review but I’m opting not to. There’s so much packed into this book about love, life, loyalty, prejudice, and free will. It was much more political in nature than I thought it would be, doing a deep dive into the repercussions that public knowledge of a person’s lifespan can have on civil liberties and potential for violence and reckless behavior. Erlick did a fantastic job exploring the mental and emotional aspects of this concept in which some people find out they don’t have long to live and others find out they are immune from death for years to come. What I thought could be a simple heartfelt tearjerker wound up being a brilliant and fascinating exploration of human nature. All in all, this one was a pleasant surprise.















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The Guest List by Lucy Foley – a Book Review

Ok, so you know how in my last review I said that Foley wasn’t formulaic? I’m about to contradict myself here, because there are some pretty striking similarities between The Guest List and The Hunting Party, one of her earlier novels. Both books have a group of people traveling to an isolated island getaway, one off the coast of Ireland and one Scotland. Someone gets murdered. We don’t know who it is and we don’t know who did it. The guests are there on these secluded islands for different events, but they still wind up in pretty similar predicaments, and old festering resentments eventually rear their ugly heads. With that being said, I do feel Foley did a good enough job of distinguishing the two works through her character development. Additionally, this particular Agatha Christie-esque style is pretty common in the genre because it works.

Synopsis

A bride and groom, the wedding party, and a gaggle of wedding guests arrive at a beautiful historic mansion in a remote location off the Irish coast to celebrate a joyous event. It doesn’t take long, thanks to a bunch of middle aged frat boys and a pocketful of seething resentments, for things to go awry. When someone winds up dead, staff and guests alike are left to solve the bloody crime before the killer strikes again.

Review

This was, by far, my favorite of the three Lucy Foley books. I loved the slow burn of the rising tension and the pace at which Foley uncovered the different layers of history that brought all these people to their present places in life. Ok, and here’s another place where I will contradict what I said in my last review. I said Foley’s characters were difficult to love and difficult to hate. In this case, I take it back. I had no trouble hating some of the guys in this book. They were pathetic, immature imbeciles with few (and that’s being generous) redeeming qualities. I’m not saying this is unrealistic. I would need an extra hand to count up all the has-been beer-bellied frat boys who spend their lives trying to relive their glory days as masters of the universe that I know personally. Foley nailed it. Rarely do I have an internal debate regarding which character I hope gets murdered, but here I am living the dream. I’m kidding. I would never wish death on all the immature man children of the world. Only in fiction.

The only exception to this was Johnno, the best man. While he IS a has-been frat boy, he was a complicated and slightly more sympathetic character where I was concerned. Though what made my feelings toward him more difficult to swallow is that this is the mental image I had of him in my head:

Eek, poor Johnno.

Now back to the actual book instead of my strange brain. Plot wise, I found the conclusion to be quite satisfying, though there were certain plot points that brought us to that conclusion that I found to be a bit too convenient. I know sometimes this is necessary to reach the desired conclusion, so I’ll forgive her for this. In a way, it’s thanks to these conveniences that the end caught me off guard. I had guessed some details, but certainly not all, which was a pleasant surprise.

With such a large cast of characters, Foley did an excellent job compartmentalizing and not causing me to get confused or overwhelmed. I also loved the highly atmospheric Irish setting. I listened to this one and greatly enjoyed the full cast narration by Jot Davies, Chloe Massey, Olivia Dowd, Aoife McMahon, Sarah Ovens and Rich Keeble. Fun fact: I love the name Aoife (pronounced Ee-Fuh). It is the name of a principal character in the book, and I just found out this very moment it is the name of one of the narrators as well. I’m going to go out on a limb and guess she provided the voice for Aoife, the lone Irish woman in the book.

In short, I would recommend any of these three Foley books to other readers, but if I was forced to only choose one, it would be The Guest List. It’s the one that is, all around, the most well developed and the most satisfying for a lover of the genre.

Rating: 4 out of 5.

First published February 20, 2020 by William Morrow. Audio version published June 2, 2020 by HarperAudio. ISBN 9780062985057. Audiobook. Runtime 10 hrs 22 mins.

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The Paris Apartment by Lucy Foley – a Book Review

I recently embarked on an impromptu Lucy Foley mini-marathon, consuming three of her books in a row over the course of a couple of weeks. I guess I was just in the mood for something engaging and exciting but not super complex. This will be the first three of the reviews, and it is the first one I completed. I won’t spend a whole lot of time on these reviews while I’m attempting to catch up, so don’t expect any of the reviews to be extremely detailed.

Synopsis

Jess, an extremely down on her luck woman who finds herself needing to flee after getting herself into a spot of trouble, heads to Paris to stay with her half brother. When Jess arrives, she finds that Ben lives in a lavish apartment that seems a little outside the economic grasp of a struggling journalist. Also, he was expecting her arrival, so when Jess arrives and Ben is nowhere to be seen, she begins to get suspicious. Her suspicions grow with each tenant she encounters, each with varying degrees of friendliness but all with an interest in her that makes her uneasy. As Ben’s absence becomes more and more unsettling, Jess begins to uncover clues that point to a hidden truth Ben had stumbled upon that someone else wished to stay buried, even if it meant silencing Ben to make sure the story never surfaced.

Review

Having read three of her books now, I do admire the fact that Lucy Foley comes up with fresh ideas. I don’t find her thrillers to be formulaic, which is a bit of a pet peeve of mine in the thriller genre. There are similarities, but not enough to make me feel like she takes the same plot and changes names and a few details and calls it a day. There’s maybe SOME of this in the next two books I’ll review, but it’s not the case with this one. More on that later.

Her characters are well developed, being fairly complex with compelling backstories that unfold as the story progresses. I like that her characters are both difficult to love and difficult to hate, a quality that should be present if a character is properly developed in a book such as this. The Paris Apartment is well paced, really picking up toward the middle and end and bursting toward a dramatic conclusion. Thankfully, I also didn’t feel like this one had too much predictability. There wasn’t much that was utterly shocking, so I didn’t have to pick my jaw up off the floor, but there were a few scattered surprises that kept things interesting.

Overall, I would say this one is a pretty standard but enjoyable thriller and would make for a great winter fireside read.

Rating: 3 out of 5.

Published February 22, 2022 by William Morrow. ISBN 9780063003057. Hardcover. 360 pages.

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